A Tale of Two Sisters: DVD Review
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A Tale of Two Sisters (2003) is Korean director Kim-Jee Woon's brilliant psychological horror film, an attempt to follow in the footsteps of internationally successful Japanese horror films like Ju-On and Ringu. Tale of Two Sisters is like these films in its imagery and atmosphere, but in my opinion it does them one better.
The movie (unsurprisingly) te
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The film's fairytale-like narrative and opulent, creepy atmosphere create a slowly rising sense of dread: strange patterns on the wall, subtle but killing looks between family members, deep dark shadows, all captured in drippingly gorgeous, rich cinematography. By the time the real, jolting scares come--and, boy, do they ever--the director has played his audience like a violin. If you have the surround sound system, plasma screen works, this is a great chance to use it: on the film's rich and detailed masterful visual and sound design.
A Tale of Two Sisters reminded me a lot of David Lynch's Mulholland Drive: it doesn't have a traditional narrative cohesiveness, but rather it's comprised of narrative fragments, a jumbled jigsaw in which the pieces don't necessarily fit together, but the viewer is left to make his own story
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As in The Others or The Sixth Sense, you're not always sure who's a ghost or who is haunting who, who is dead, what's real or what's a dream. Unlike those films, Tale of Two Sisters does not leave you with any tidy answers. It leaves you floating in the strange atmosphere of the film, its lingering and haunting images and disorienting relationships. In addition to being a horror film, the film is also an intense psychological portrait of family relationships, the guilt, anger and potential violence that often lie beneath the surface, a warning on the dangers of too much hatred and jealousy, but also of excessive devotion.
It's best not to look for one specific narrative
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FilmStocker Rating: B+
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